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Thanks Romain. Another inspiring painting tutorial.
Just a small point. For some reason the finished articles looks much better on camera then on the turn around shot at the beginning. The turn around shot looks a bit bleak… maybe its the lighting or something.
Thank you !
The 360°s are shot in a whiter environment, which accounts for the whiter light… It makes every detail stand out more, but enhances all the flaws and makes some paints shine a bit much !
I wish the other studio lights were whiter, so it could be consistent…
But I’m still happy you can see the end result in good detail.
BoW Romain
Thanks for another tutorial and thanks for a previous one on wet palettes. Ive just started using one and as shown in your tutorials it’s so useful when you need to go back to use a colour you mixed earlier to do some blending. I can go off eat my dinner come back later and the paints are still alive and kicking.
I’m now on the lookout for a suitable sealable plastic container so I can make a portable one for lunch break at work.
Tupperware or equivalent boxes work fine, if you can find one low enough. Store it in the fridge if you want… hydrate it when necessary, if in a dry place.
Glad I could help !
BoW Romain
Thanks. I’d been wondering for a while how to do object source lighting for things like palsma cannon and dragon breath.
You’re welcome !
It’s what I do…
I like your paintjob, but the flames are wrong. The highlighting should be the other way arround, so white/yellow as shade and orange/red (and maybe black) as highlight.