Redvers and Son Get Into Bushido

Game 8 – Kinshi Temple vs Cult of Yurei

At Salute, both my son and I picked up some more shiny Bushido stuff. I was quite reserved, and got the new Animated Warriors blister while my son went for a whole new faction, The Kinshi Temple. We were both keen to get these to the table to see how they played. 

For my son, the Kinshi Temple are a small faction, with most of the models available coming in the starter set. They are tricky to play but can pull off a lot of powerful moves. Much of the game play of this faction centres around the Void Communal card which any model in the faction can draw from. As events or acts take place in the game, counters are added to this card unlocking increasingly more powerful options, so that in the end game, the models become very difficult to handle. This is somewhat countered by the fact that many of the models are fairly weak to start and some of the easiest ways of gaining counters is by taking wounds or losing models. 

My new models were some skeleton warriors. These tie in well with my Christmas present which was the Yuta of Yurei boxed set. Once of the Yuta (witch) works very well with the skeletons, giving them health regeneration. The Animated Warriors are a very cheap option but come with the weakness that if an opponent makes a damage roll (made on 2d6) any double kills them outright. On the plus side, as with all skeletons in the game, they have the special Durable trait meaning that no matter how many wounds the opponent causes in any attack, it is never more than 1. So they take some beating to remove, especially with health regeneration!

We played this game about 6 weeks ago. It’s taken this long to get round to writing it up, so I’ll keep things short.

For this game, we went for a scenario with 6 objectives, arranged in a ‘hex’ pattern in the middle of the board. The two closest to each player were ‘friendly’ to them while the ones in the middle were neutral. Scenario points were scored at the end of round 2, 4 and 6 based upon how many friendly objectives you had. Additionally, models can take an activation to pray at an objective in BtB. This can be done 5 times in the game with 1 scenario point for praying at a friendly objective, 2 for a neutral and 3 for any enemy objective. 

We deployed as in the pictures below. The empty bases are Void Rifts that the Kinshi Temple can use. They’re effectively dimension doors for them as well as points to gain LoS and measure range. It gives them a lot of flexibility.

Turn 1

We both pushed up the table hard, trying to get to the two neutral objectives. I was largely successful, securing the right hand objective with my choking fog Kami. On the left, we both got close. One of my Yuta also has a Ki feat to summon another skeleton, which I did. This is a once per game ability but gives me a free model. Happy days. 

Photos below.

1. End of turn one
2. My right flank with the swarming skeletons around the objective
3. My left flank
4. My son’s half of the table

Turn 2

A real scrap developed on the right, as my son launched a ‘scorched earth’ Ki feat, which dishes out fire damage to all models in the AoE. Fortunately, my skeletons can regenerate their damage so, while annoying, not debilitating. My son also summoned a void rift and had one of his monks appear through it behind my lines on the right. So I had to deal with this with my Animated Warriors. On the left, Eiko, a skeleton, managed to frighten a Kinshi monk and batter him with his axe. 

Photos below

1. End of turn two
2. Eiko (metal model closest to the saki racks) violates a Kinshi monk
3. Skeletons mobbing up on a monk
4. A scorched earth AoE

Turn 3

It was at this point that things really started to unravel for my son. In a previous round, he had sacrificed one of his models to get some Void counters on to his communal card and now, with a model short, he was struggling to hold off the skeleton hoard. To his credit, he did manage to kill one of my Yuta who was loitering around in my back line (the Yuta aren’t very tough and really need to keep out of trouble and his smart use of void rifts allowed him to target my Yuta). 

On my right, my skeletons overwhelmed his models. With each attack, both the attacking model and the defending model uses up an Activation. Once out of activations, you start to lose melee dice and with the extra models that I have, that really hurts. Couple to that all the skeletons being Durable, and only taking one wound per damage roll, I can choose not to roll any defence dice and put them all into attack, knowing that my skeleton can’t die. This gives a very tough choice for my son. Despite some sterling defence, outnumbered and exhausted, the Kinshi monks perished. 

On my left the story was fairly similar although it was Eiko who dealt the damage. Armed with an axe giving him the brutal special rule, he made short work of his opponent. And with one model left, my son conceded the game.

Wash up.

It wasn’t my intention to batter my son as it can be quite disheartening but we had a good chat after the game about what went well and what could have gone better. He admitted being too gung ho with the models and leaving them unsupported. And also being too keen to gain void counters to unlock the more powerful aspects of the communal card to the detriment of his overall game. But he’s keen to try again at some point!

Way back when I started this project, I bought some MDF kits, one of which was a farmer’s house. I built all the kits quickly but then got distracted with all the other terrain stuff and some of them languished. But, time to address this.

With terrain, I’m a believer in making it look decent, to provide the immersion, but you don’t need to spend hours on it. After all, the models are the main draw. With this in mind, I set about painting the farmer’s house.

After sealing the MDF, it all looked a bit boxy and needed something adding to it. Earlier in the project, I thatched some rice storage huts, so decided to do the same here. The brush I had used for the previous thatch wasn’t big enough so a trip to the hardware store yielded a coconut fibre brush, which should stick better than the plastic brush I had been using. After a lot of pva, I managed to glue the fibres to the roof. Not the neatest job, but it works.

Looking at reference photos, many thatched buildings had wooden beams in place across the thatch to keep things in place. So using the left over MDF sprue, I cut some to size and glued these in place. I also picked up an MDF sumo ring at Salute and it had some interesting off cuts which I was able to use as the ridge line of the roof. I trimmed the thatch and then gave everything a prime with a reddish brown.

I simply dry brushed the thatch with light brown and then Iraqi sand.

For the wood, I dug out some cheap brown acrylic. This paint tends to streak which is fine when painting wood as it can create a grain effect. But it did take several coats.

The plaster at the top I picked out firstly with gesso, to provide a little bit of texture and then off white.

Finally, I dry brushed the wood with light brown and gave everything a coat of varnish.

Japan has a large problem with fiery wheels with a distorted human face in the middle rampaging around the countryside, setting things ablaze and generally doing disagreeable things. At least according to folklore. Such creatures are called Wanyudo, which literally translates as Wheel Priest and they normally inhabit hell but sometimes venture out into the mountains and hills to cause trouble. They like to snack on souls but as a snack, also eat babies. According to one legend, a woman peeked out of her window at a passing Wanyudo who, on spotting her, snarled “Instead of looking at me, have a look at your own child!”. The woman looked down at her baby who was screaming on the floor in a pool of blood, with both its legs torn off. When she looked back at the Wanyudo, he was happily chomping on the baby’s legs as he carried on down the street. Such malevolence is a perfect fit for the Cult of Yurei.

In game, Wanyudo does what you would expect in that he sets things on fire. He is allowed to Charge as a normal activation and, when doing so, gets a bonus slam attack. Anyone who attacks him gets a fire marker (that causes damage) and anyone in BtB with him at the end of the turn gets a fire marker. He also has several Ki special abilities, one that gives him additional movement, one that creates a fire pulse (setting everyone within 2” on fire) and a more targeted fire attack that, if successful, can hand out a lot of fire markers. So overall, a lot of fire.

The model is larger than the normal Bushido models and rather than the standard 30mm base, Wanyudo gets a 40mm base. I want the base to look as if it has been burnt as Wanyudo passes over so I’ll use a crackle paste on it. I’ve also smeared the base with pva glue first to help adhesion and to get the crackle to work well. I’ll only apply the crackle to the back of the base where the Wanyudo has already passed over.

I started with the wooden wheel first. This was a combination of browns ranging from flat earth, light brown and iraqi sand as the dry brush highlight. I’ve also used strong tone as the shade to pick out the wood grain.

I want the fire to be really bright. To this end, I’ve picked up some Golden Fluid Acrylics in orange, yellow and red. According to some youtube person, these are heavily pigmented but also contain various elements that are best not consumed, so I’ll have to remember to not lick my brush when using these. To paint the fire, I just painted everything yellow and then started wet blending the orange and red onto the upper parts of the flame until I was happy.

To tie the model in with the rest of the purple themed faction, I painted the face Imperial Purple with dark grey blend for the shades and off white blend for the highlights. The hair was a grey given several nuln oil washes and a light dry brush. Teeth and horns were painted bleached bone, given a brown wash and then highlighted where necessary.

To finish the base, I flocked the front and then dry brushed the grass nearest Wanyudo in black to make it look like it was burnt. I’ve then dry brushed black over the rear of the base.

You need to record the number of wounds taken for each model in Bushido. You can sleeve your card and use a white board pen to mark off the wounds on the wound tracker, but I prefer to use wound markers. The official token set doesn’t include any tokens for this and we have been using Imperial Assault tokens as a substitute, but these are quite big. So I wanted to make some smaller ones.

My criteria is,

• Cheap to make
• Quick to make (don’t want to waste valuable hobby time faffing around with something like tokens)
• Easy to pick up (I’ve got fat fingers)

After searching around the internet, I settled on a sheet of red rubber dots. These came in a sheet of 100 and with a sticky back. You can get these from the usual online retailers for a couple of pounds.

I’ve got some very thing plasticard (0.5mm I think?) to use for backing. The combination of the rubber dot and smooth plastic back will make the tokens easy to pick up. I’ve luckily got a hole punch the same size as the rubber dots, so it is a simple case of punching out the plasticard.

For extra stickiness, I’ve super glued the plasticard to the rubber dot to make each token.

All told, it took less than an hour to put together 100 wound tokens that look fine and serve a purpose.

Kami in Bushido (and Japan) are natural spirits that can be employed on the battlefield. The minor kami (of which these are) are useless enough to not expend any game resources removing from play but irritating enough to create a problem if you don’t try to remove them. All of the various flavours of minor kami either provide your force with a buff or the enemy with a debuff but none of them can interact with scenario objectives to win the game for you.

First up, we have the Kami of Choking Fog. This creates a mobile smoke cloud that creates cover. The kami can also stun one enemy model per turn or destroy itself and blind 1 enemy model. It also has a short ranged attack that, if successful, stuns the victim. Finally, anyone attacking the kami gets stunned on a successful hit.

I wanted to paint this one up quickly, so after a grey primer, I slapped a couple of very light washes over it – one black and the other purple. I then dry brushed the hell out of it with various greys, blues and purple until I got the effect I wanted. Usual basing with an acrylic earth and static grass. I think an evening’s work in total.

The kami of Sappping Silt is slow but can target an enemy model in 2″ to reduce its movement by 2″. Or it can destroy itself to remove an activation from an enemy model. In combat, if it hits, it immobilises the target. Reduced movement and loss of activation in Bushido is a big deal.

This model got a base coat of German Black Brown and a couple of washes of black. I then gradually applied a glaze to the raised areas of electric blue. The tree stumps were flat earth with a brown wash. I’ve then highlighted with Iraqi sand. Then I’ve opted for a wet mud acrylic base material.

Last up, we have the kami of Blighted Earth. Slow around the battlefield, it is effectively a mobile ‘difficult terrain’ piece – but only for enemy models who lose half their movement when moving within 2″ of this model. It also causes enemy models within 4″ to spend an extra Ki on any of their Ki feats, which is very handy. Basically, you push this out in front of your warband to slow the enemy down, very useful if the game involved objectives or zones of control.

Painting wise, this was a mix of various greys for the rock. It received a brown wash and then a black wash before some dry brushing with a light grey. The vines/roots I picked out in imperial purple with the highlight being purple/off white mix. To make the model look like it is bursting from the ground, I used the acrylic dry earth paste on the base and up the model and then added some cork, sand and other bits to look like stones. Once dry, this got washed down to a darker brown before I picked out the stones using deck tan, light brown, iraqi sand.

Game 7

This was the first game that we played since getting our Christmas stuff. Unfortunately, work and family issues have gotten in the way and gaming has taken a back seat. I didn’t fancy wrestling with the Project System either. So, a much belated battle report…..

Both my son and I were lucky enough to receive some new Bushido stuff from Santa and my son was very keen to get this to the table to demonstrate just how potent the Temple of RoKan can be. My son asked for the Kitsune boxed set for Christmas which provides a very different perspective for the Temple of RoKan. A lot of the characters have two forms, a quick but fragile fox form and a slow but heavier hitting human form. It’s a very different play style but the models, all resin, are absolutely stunning. As he had these new models, he was desperate to get them to the table, so this formed the entirety of his new force. They weren’t painted, some of them weren’t even stuck together but it’s about playing the game (with some good terrain) that’s important!

For this game, we opted for a zone control scenario. This requires 3 zones to be deployed along the centre line with each zone being 4” in diameter. The zones are deployed every 6” across the central line and I’ve cut three 4” circles of rubber for this purpose (with a future aim of making this suitable terrain rather than just black rubber!). The game will be played over 6 turns with 1VP available at the end of the 2nd, 4th and 6th round. The side with the highest number of VPs at the end of the game wins.

VPs can be earnt using event cards and other faction specific aspects but the main focus is control of the three zones. A warband gains a scenario point for controlling a zone. This is done by having more models fully in the zone than the opposing warband AND the total points cost of those models being higher than the opposing warband. Given the three zones, this creates an interesting dynamic over how many zones will you compete for. And which models will compete for each zone. The most scenario points at the end of turns 2, 4 and 6 gains a VP. Scenario points are wiped at the start of turns 2, 4 and 6. Sounds confusing but it isn’t.

This scenario also really brings into play the Bushido rules around Zones of Control (ZoC). Most models have a ZoC (some don’t and all don’t if they are prone or subject to other effects) and this extends 1” around the base in the forward 180 degree arc. Most models cannot enter an opposing models ZoC without declaring a Melee actions (and entering B2B). This then creates the option to block models and limit opposing models lines of movement (more on this later!)

Cult of Yurei Warband

I decided to mix things up a little bit and add some grunt to my warband as well as include some of my new models. This is what I ran with,

Eldest Brother – A Ronin Oni who comes with a lot of wounds (something lacking in the Cult models) and a lot of attacking grunt to hand out some damage (again, something lacking in the cult)

Kami of Blighted Earth – Kami’s are cheap and can’t directly affect the game but they do provide either a buff or debuff and, as a consequence, are annoying but perhaps not important enough to spend resources on removing. In the case of this Kami, he creates a 4” area of difficult ground that enemy models have to move through. I can use this to ‘block’ lines of attack as difficult ground doubles movement.

Ikiryo (with Arashi’s Fan Enhancement) – Glass hammer time. She’s pathetic in combat but comes with a 8” laser eye Ki ability which, if successful, is a straight up Level 4 wound role, which is might powerful. I’ve given her Arashi’s Fan which gives her a +2 against ranged attacks. I hope to keep her out of melee, so her pathetic combat abilities won’t be a problem.

Yama Uba – I’ve run her before. Has the ability to ‘copy’ any other trait on a model she is in BtB with, so a great option to turn the enemy’s abilities against themselves. Or double down on your own abilities.

Mo Ises – Cheap and has the Control ability giving me the option to take control of enemy models

Umeka (with Ijimyo’s Masks) – Cheapish and able to skulk around waiting for an opportunity to shank someone in the back with her scissors. I’ve given her Ijimyo’s mask to provide some protection from a melee attack – this gives her Fear 6, which is the highest in the game and tough for some attacking models to get past.

Hotai’s coin. The attached model can reroll 1’s once per test. If a second roll is a 1, you lose the card.

Dharmic Path – Played during the deployment phase of the game (i.e. right at the start). I get 1 Scenario Point for each Event played by my opponent. Basically a blocker to my son trying his annoying event card tricks!

Drain Spirit – Played after the Ki generation step at the start of the turn, I can transfer 2 Ki from an enemy model to a friendly model in 3”

Pre-Ordain – I roll 2d6 at the start of the game and at any time, I can replace any dice roll made by either player, with one of the dice on the card. The dice does get discarded after use otherwise this would be an auto take card!

Temple of RoKan forces

Followers of Inari Theme – Basically the Kitsune theme allowing all of the foxes. The theme provides an auto win on turn 9 (my son thinks this is great but I did point out that if the game is still going by turn 9, we’re doing something wrong!). It also allows a re-roll for all models on Ki and Size tests for one turn of the game. And when I use a Pass token, I must select one of his models that has taken wounds to heal 1 wound.

Kami of the Evening Flame. Kami are cheap and annoying. They aren’t really worth destroying as they take a bit of resource to do and they can’t really win scenario points. But, they either buff your own models or debuff the opposing models. In the case of this one, it can shoot small fireballs which cause a bit of damage and set the target alight (causing more damage). They can also ‘self destruct’ which removes them from the board but also causes an AoE

The White Faced Fox – Has a bow for long range damage and comes with a lot of skills that makes it hard to hit. Can shift into Fox form

Takeru – Has a Glaive which provides the very useful Combo Attack in melee. Also has bonus abilities against Soulless models (which is a lot of the Yurei list!) and can shift into a fox.

Kuoto – Provides some control/decision Ki feats that force the opponent to choose between certain events (most of which rob you of movement). Also has some handy combat abilities to deal out some melee damage. Can transform into a Fox for added movement.

The Nine Tailed Fox – Provides a dice re-roll buff to all friendly models and can reroll a lot of its own dice

Juko (with Prayer Beads) – Has a short ranged attack and a handy combo melee attack. Has skills that makes him hard to hit and can re-summon Kami that are destroyed. The Prayer Beads gives this model an extra 1 Ki each turn

Tengoko – Has a ranged attack and, if it hits, a damage dealing sword. Has some powerful debuff Ki feats 

Test of the Fox Event. An opposing model must make a move challenge test. If they fail, they lose an activation (losing an activation is a big deal!)

Test of the Path Event. Opposing model must make a Melee challenge test and if they fail, they gain a control maker (effectively allowing the Temple of RoKan to control the model for one activation)

Test of the Man Event. Opposing model takes a size challenge test and if it fails it gains an impetuous marker (meaning that the model has to activate first which is a pain if there is a plan in place or the model was required to hold back later in the turn to provide it’s support)

Test of Inari Event. Opposing model take a Ki Challenge test and if it fails, it gains a Spirit Block Marker (this means that the model will not gain Ki in the following phase and Ki is used for special abilities, so this can really hamper the ‘big moves’ that can swing the game for you)

Gorinto – This is my son’s favourite terrain card and allows a friendly model to generate an extra Ki token if they are within range

Turn 1:

My son wins the Strategic test and takes the initiative. He doesn’t hand around with his Test of the Path and plays this straight away on Eldest Brother who fails his test and is controlled. My son wastes no time in getting Eldest Brother to attack his nearest model which is Umeka who is no match for an angry Oni and she takes 4 wounds. This was lucky as she just survived and it could have been a lot worse!

Most of my son’s models start in Fox form and move forward quickly. The White Faced Fox advances a long way, changes to Human form and fires its bow at Yama Uba, thankfully hitting but doing no damage. It does however put a Ki Block on Yama Uba, meaning she can’t generate Ki at the start of the next turn.

Takeru has advanced on my son’s left flank. He’s definitely looking to get round the side and into my back line where Ikyiro is. I’m having none of that and so Ikyiro takes aim with her Look into the Void Ki feat and hits, dealing 2 wounds.

Otherwise, the rest of the models spend the turn moving into position.

The pictures below are, my deployment, Temple of RoKan deployment, Eldest Brother smashing Umeka in the face, and two pictures of the state of play at the end of the turn.

Turn 2:

I win the strategic roll this turn and instantly activate Ikyiro. It’s a same as last turn Look into the Void blast on Takeru which succeeds and does enough damage to kill! Happy blasting from the little lady.

Kuto uses its Final Verdict ki feat on my kami, which fails its test and gains a death marker. This marker can be removed by spending ki (which the kami doesn’t have) and while the kami has a death marker, it makes them easier to hit in melee – so a big debuff. But I’m ok with this as the kami is somewhat expendable.

I advance Umeka into the the scoring zone on my left and my son uses the 9 tailed fox to attack Umeka. The 9 tailed fox gets to roll a lot of dice due to various buffs and debuffs and Umeka is not able to withstand the onslaught and is killed. This gives the 9 tailed fox control of the left hand scoring zone.

I move my kami and Eldest Brother into the central scoring zone, giving me control there. 

Otherwise, there were some unsuccessful shooting attacks, Mo Ises tried to use his control Ki feat and failed and Juko failed to wound Mo Ises in melee. At the end of the 2nd turn, we both control a scoring zone each and therefore no VPs are awarded.

Turn 3:

My son plays Test of the Fox event (due to my Dharmic Path card, I’ve limited my son to playing his event’s in turns where there is no scoring so I don’t get a scenario point this turn). With this event, he nominates Ikiryo who fails her test and loses an Activation, which is a big deal.

Even with the loss of an activation, I feel Ikiryo is fairly safe at the back of the board and I spend her only activation to get blasting with her Look into the Void attack against Juko, who is also sneaking up on my right flank.Juko fails their test and gets a couple of points of damage for their trouble.

The White Tailed Fox charges Yama Uba but before combat starts, Yama Uba uses her Morph Ki feat to take Parry from WTF to aid her defence. Parry provides a straight up +1 to your defence, which is very handy. In the melee, my son puts a lot of dice into attack to compensate for Yama Uba’s newly found parry skill but he rolls very poorly and fails to get past her defence. Yama Uba only rolls one attack dice but rolls a six, easily beating WTF and rolls well on damage killing WTF outright. 

It’s now just Yama Uba and the 9 Tailed Fox in the left scoring zone and I want to push the 9 TF out to get control, so I use Yama Uba’s second activation to enter melee. I hit but I’m not able to do any damage, so the scoring zone is still contested.

Juko is still in BtB with Mo Ises and continues to press the attack, Mo Ises isn’t great in combat and, despite rolling all defence dice, Juko is able to deliver 4 damage, almost killing Mo Ises. 

I use Eldest Brother to attack Juko from behind and, with Mo Ises also in BtB, that’s two debuffs. Eldest Brother is able to use his Slam Attack special ability which delivers a wound and leaves Juko prone. This also removes Juko’s last activation and so Juko is now exhausted.

With Juko prone, exhausted and outnumbered (that’s -3 dice for Juko) I attack with Mo Ises. Despite being poor in combat, against a -3 dice debuff, Mo Ises is a lot better and rolls well. Well enough to kill Juko.

Tengoko, who has spent most of the game shooting and either missing or failing to damage moves into melee with my kami who is controlling the central scoring zone. Tengoko is able to hit but, due to the kami having Durable (which all kami do) the damage is limited to 1. Because I know that the kami can only take 1 damage and therefore not be killed this attack, I roll all of my dice into attack, giving me a massive success level, which, when I roll for damage, is a big number. Big enough to not even bother adding up as it kills Tengoko instantly.

Finally, Kuoto moves into the right hand scoring zone to control it and casts Final Verdict against Ikiryo but this fails this time.

Turn 4:

The 9 TF attacks Yama Uba twice and both times fails to do any damage, thanks mainly to Yama Uba’s Parry skill that she ‘borrowed’ from the White Tailed Fox.

Kyoto tries to use its Ki feat Dharma against Eldest Brother. If successful, the next time I Activate Eldest Brother, my son decides what action the model will take and I have to carry this out. I really want Eldest Brother to hand out some damage this turn, so I’m relieved when I pass the test.

Mo Ises moves into melee with the 9 TF from behind. This gives Mo Ises surprise and the 9TF is also exhausted and outnumbered as Yama Uba is still in BtB. This more than levels the playing field and Mo Ises is able to cause 6 wounds. Unfortunately, the 9TF has 9 wounds, so while a hefty amount of damage, it’s not enough. The 9TF is able to kill Mo Ises in return.

Ikiryo has been quiet and biding her time at the back of the board until now. With the middle scoring zone secure and the left one disputed by the 9TF, there’s really only one target for her Look into the Void Ki feat. The 9TF has a low defence against this attack, rolling 1 dice against Ikiryo’s 4, and Ikiryo is able to succeed and kills the 9TF. 

This gives me control of two zones and, with my son only having Kuoto left, he decides he’s had enough and shakes hands.

Wrap Up.

Ikiryo is now my son’s most hated model. He thinks she’s grossly over powered and should be banned. She does deal some hefty damage but as I mentioned to him, she’s weak in combat and will take damage from shooting, so will go down quickly if targeted.

The Kitsune are also new models for my son and come with a very different play style to the monks he has been using. We chatted about possible synergies and how to adapt his play style. He also charged his models unsupported up the flanks which allowed me to pick them off.

From my side, obviously Ikiryo was a game changer, giving me some much needed range attack. And Eldest Brother added some real punch into the line which is something that the Cult of Yurei really lacks.

I’m very behind on keeping this project up to date at the moment. But before Christmas, my son had purchased some reinforcements to his Temple of RoKan warband and these proved to be quite handy (see some previous battle reports). I also need some reinforcements so added some more models to my collection. First up to be painted is Ikiryo.

In game, Ikiryo is a glass cannon. She’s not cheap and gets to roll a single die in melee, so you really want to keep her out of BtB as, with only 4 wounds, she’s going to get minced pretty quickly. But you don’t take her for her combat abilities.

She does come with the Fear special rule with the highest challenge rating. To add to this, she also comes with Terror (anyone succeeding their Fear roll has to re-roll it) and Dread (anyone taking a Fear test does so with one less dice). So there’s a pretty good chance that anyone trying to enter BtB is going to end up with the Frightened state (which applies a bunch of de-buffs). So she has some defence if she does find herself in combat.

Her main abilities are the two Ki feats that she has. First up, is the Touch the Void ability. If she activates this before a damage roll is made, for each Ki point spent, 1 wound is cancelled. In addition, the attacker takes 1 wound. Handy.

Her other main ability is Look into the Void. For 3 Ki points, she can target anyone who has line of sight to her and within 8″. The target must take a Ki Challenge test against Ikiryo and if they fail, they take a damage roll. Basically, she has laser eyes to blast away at the enemy from behind the front line models.

The model itself is a simple two piece, with the parasol being a separate cast piece. This was easy enough to attach to the model but I did paint it up first. For the paint job, I wanted to aim for a Geisha look and aim for an ornate kimono. Basically, very different to the rest of my warband.

The kimono is a base of deep sea blue and I’ve shaded with a nightshade wash. I’ve then highlighted up using deep sea blue and increasing amounts of ice blue. The edging and belt (called an Obi I think) is purple with off white/purple mix for highlights.

I’ve opted for a pale skin with a light brown mixed in for shading. Once completed, I’ve painted over the face with a thin off white glaze before applying a red lipstick and makeup.

The parasol is a crimson red, highlighted with a mid red. Off white for the rest of the parasol.

I wanted some Japanese influenced design on the kimono. I would like to claim that my free handing skills are good enough to paint this on, but they aren’t. Kimono transfers aren’t really found in the wargaming world, so I turned to the world of nail transfers and, after a lot of searching, found some flower based transfers that looked close to a cherry blossom look. These were carefully applied to the sleeves and the rear of the kimono.

Basing was once again an acryllic dry earth given a brown wash. Then flocked with a dead grass.

My son wanted to use some Fire kami in his warband list and we didn’t have any models. This was easily rectified through the medium of Thingiverse and a 3d printer and the search term ‘fire elemental’. A quick resizing of the stl and 2 hours in the printer and we had a couple of fire kamis ready to paint.

In game, all kami (of which there are quite a few) are cheap and cannot interact with objectives. They also tend to be weak in a fight and low health. However, they all have the Durable special rule meaning they can only ever take a maximum of 1 damage per combat, so they take a little bit of effort to remove. They all have an annoying ability which either buffs your own troops, or debuffs the enemy. In the case of the fire kami, it can shoot small fire balls which causes damage and a flame attack. So in conclusion, they are annoying enough to want to kill but insignificant enough to really make you question whether you should be wasting your time on doing so. They really create a dilemma for the opposition.

Painting wise, this was a really basic and quick paint job. I watered down a yellow, orange and red and then based the entire model in yellow. While the paint was still wet, I’ve picked out the higher areas in orange and then red. This was all slopped on and I’ve allowed to the paint to mix on the model. Finally, once dry, I gave everything a yellow glaze (or two) to tie it all together. It all took a couple of hours.

Not perfect or going to win any awards, but quick and good enough for the table top.